Robert Hossein
Robert Hossein was a French film actor of Parsi origin, director and writer. He directed the 1982 adaption of Les Misérables, and appeared in Vice and Virtue, Le Casse, Les Uns et les Autres and Venus Beauty Institute. His most recent roles include starring as Michèle Mercier's husband in the Angélique series and as a Catholic priest who falls in love with Claude Jade and becomes a communist in Prêtres interdits (Forbidden Priests) in 1973. Hossein started directing films in 1956 with Les salauds vont en enfer from a story by Frédéric Dard whose novels and plays went on to furnish Hossein with much of his later film material. Right from the start Hossein established his characteristic trademarks: using a seemingly straightforward suspense plot and subverting its conventions (sometimes to the extent of a complete disregard of the traditional demand for a final twist or revelation) in order to concentrate on ritualistic relationships. This is the director's running preoccupation which is always stressed in his films by an extraordinary command of film space and often striking frame compositions where the geometry of human figures and set design is used to accentuate the psychological set-up of the scene. The mechanisms of guilt and the way it destroys relationships is another recurring theme, presumably influenced by Hossein's lifelong interest in the works of Dostoyevski. Although Hossein had some modest international successes with films like Toi, le venin and Le vampire de Dusseldorf, he was much singled out for scorching criticism by the critics and followers of the New Wave for the unashamedly melodramatic frameworks of his films. The fact that he was essentially an auteur director with a consistent set of themes and an extraordinary mastery of original and unusual approaches to staging his stories, was never appreciated. He was not averse to trying his hand at widely different genres and was never defeated, making the strikingly different spaghetti western Une corde, un Colt and the low-budgeted but daringly subversive period drama J'ai tué Raspoutine. However, because of the lack of wider success and continuing adverse criticism, Hossein virtually ended his film directing career in 1970, having concentrated on theatre where his achievements were never questioned, and subsequently returning to film directing only twice. With two or three exceptions, his films remain commercially unavailable and very difficult to see. He is the son of André Hossein a Zoroastrian French composer of Azerbaijani-Tajik descent, and a Jewish comedy actress from Kiev. He was married three times: first to Marina Vlady (he has two sons with her, Pierre and Igor), later to Caroline Eliacheff (with whom he has a son, Nicholas). He is currently married to actress Candice Patou, with whom he has one son, Julien. According to an article written by Emannuel Peze, Hossein experienced a conversion to Catholicism in 1971 during a visit to the Marian apparition at San Damiano in Lombardo Italy. Description above from the Wikipedia article Robert Hossein, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Filmography (132)
Picking Strawberries
Belmondo: The Incorrigible
Love Is Better Than Life
Raymond Devos dans tous ses sens
Hossein, Ronet, Trintignant : Confidences de trois acteurs inoubliables
Noni : Le Fruit de l'espoir
Aznavour by Charles
Belmondo by Belmondo
Marie-France Pisier, une femme sous influence
Belmondo, itinéraire...
Belmondo, il était une fois le beau monde
Une femme nommée Marie
The Little Murders of Agatha Christie
Les fleurs maladives de Georges Franju
A Man and His Dog- Annie Girardot, ainsi va la vie
Trivial
Petits Meurtres en famille
Denn sie kennen kein Erbarmen - Der Italowestern
Le Juge
San Antonio
Antigone
Venus Beauty Institute
Scandalous Crimes
Vivement dimanche
The Wax Mask
Paradjanov, le dernier collage
Les Miserables
L'Affaire
Stranger in the House
Le Gorille
Stars 90
Children of Chaos- La croisade des enfants
Nulle part ailleurs
Sacrée soirée
Levy & Goliath
Téléthon
Le Caviar rouge
A Man and a Woman: 20 Years Later
Surprise Party
Champs-Elysées
The Big Pardon
The Professional
Bolero
Démons de midi- Henry James Stories
Apostrophes
The Phoney
Spécial cinéma
Le Tour d'Écrou
The Protector
A Police Officer Without Importance
Prêtres interdits
Don Juan or If Don Juan Were a Woman
Le Grand Échiquier
Midi trente
A Murder Is a Murder
Hellé
The Burglars
Judge Roy Bean- Samedi soir
The Lion's Share
Time of the Wolves
Falling Point
Versatile Lovers
The Conspirators
The Scarlet Lady
Cemetery Without Crosses
Desert Assault
Life Love Death
Crime Thief
The Battle of El Alamein
Misdeal
A Little Virtuous
Angelique and the Sultan
Tender Moment
OSS 117 Murder for Sale
Untamable Angelique
Lamiel
La Musica
The Man Who Betrayed the Mafia
I Killed Rasputin
Long March
Brigade Anti Gangs
Angelique and the King
The Other Truth
Mademoiselle de Maupin
Le commissaire mène l’enquête
God's Thunder
The Dirty Game
The Vampire of Dusseldorf
Marco the Magnificent
Why Paris?
OSS 117: Panic in Bangkok
Angelique
Marked Eyes
Death of a Killer- Of Flesh and Blood
Highway Pick-Up
Enough Rope
Vice and Virtue
Paris Pick-Up
Hitch-Hike
Love on a Pillow
The Taste of Violence
The Game of Truth
The Menace
Madame
Take Me As I Am
The Wretches
The Verdict
Blonde in a White Car
The Road to Shame
Double Agents
Riff Raff Girls
Stars Meet in Moscow
Provisional Liberty
Young Girls Beware
No Sun in Venice
Cinépanorama
Crime and Punishment
Forgive Our Trespasses
Rififi
The Wicked Go to Hell- Série noire
Quai des blondes
Reflets de Cannes
Maya
Sextette
In the Eyes of Memory
The Devil Who Limped
