
Ulrike Ottinger
View on IMDb ↗Ulrike Ottinger is an avant-garde, contemporary German artist. She is particularly well-known and successful as a filmmaker, painter and photographer.
Known for
Filmography (13)
- 2016
Chamisso’s ShadowHerself (voice) - 2016
Les réalisatrices contemporaines: l'état des chosesSelf - 2012
Ulrike Ottinger: Nomad from the LakeHerself - 2012
Dubai Winter Diary VI: Light and ReflectionsSelf - 2009
The Korean Wedding ChestNarrator - 1986The Making Of “Superbia”
- 1983
AudienceSelf - 1981Cinématon XIN°104
- 1979
Ticket of No ReturnNarrator - 1978
CinématonN°104 - 1978
Madame X – An Absolute RulerOrlando - 1975
Laocoon & Sons: The Story of the Transformation of Esmeralda del RioKakalia Katzen - 1975
The Enchantment of the Blue SailorsNymphe der deutschen Romantik
Crew (23)
- 2026The Blood CountessWriter
- 2020Paris CalligrammesWriter
- 2016AlohaProducer
- 2011Under SnowDirector of Photography
- 2009Still MovingDirector of Photography
- 2008Seoul Women HappinessDirector of Photography
- 2007PraterDirector of Photography
- 2004Twelve ChairsDirector of Photography
- 2002EsterDirector of Photography
- 2002The SpecimenDirector of Photography
- 2002Southeast PassageDirector
- 1997Exile ShanghaiDirector of Photography
- 1992TaigaDirector of Photography
- 1990CountdownDirector of Photography
- 1989Johanna d’Arc of MongoliaDirector of Photography
- 1988Superbia – The PrideDirector of Photography
- 1987UsinimageDirector of Photography
- 1986Seven Women, Seven SinsDirector of Photography
- 1985China. The Arts – The PeopleDirector of Photography
- 1984Dorian Gray in the Mirror of the Yellow PressProduction Design
- 1981Freak OrlandoDirector of Photography
- 1974Happy Birthday – Lil PicardDirector of Photography
- 1973Berlin FeverDirector of Photography
Laocoon & Sons: The Story of the Transformation of Esmeralda del Rio
Chamisso’s Shadow
Ticket of No Return
Ulrike Ottinger: Nomad from the Lake
The Enchantment of the Blue Sailors
The Korean Wedding Chest
Cinématon
Madame X – An Absolute Ruler
Audience
Les réalisatrices contemporaines: l'état des choses