
Ed Emshwiller
View on IMDb ↗Born in 1925, Ed Emshwiller studied graphic design at the University of Michigan and L'Ecole des Beaux Arts in Paris. By the late '60s Emshwiller was working as a science fiction illustrator, and had established his place in the American avant-garde cinema with such works as Relativity (1966) and Image, Flesh and Voice (1969). His early films featured collaborations with dancers and choreographers—a theme he carried over into his videoworks. As both an artist and a teacher, Emshwiller’s pioneering efforts to develop an alternative technological language in video were enormously influential. His early experiments with synthesizers and computers included the electronic rendering of three-dimensional space, the interplay of illusion and reality, and manipulations of time, movement, and scale that explore the relationship between "external reality and subjective feelings." Emshwiller was among the first artists-in-residence at the TV Lab at WNET, where he produced the groundbreaking Scape-mates (1972). Sunstone (1979) was made over a period of eight months at the New York Institute of Technology. Emshwiller passed away in 1990 and an extensive collection of his work is housed by Anthology Film Archives.
Known for
Filmography (10)
- 1997
Birth of a Nation - 1985
Home Movies 1971-81 - 1976
Lost, Lost, LostSelf - 1976
Family FocusHimself - 1975
Solstice and Solyanka - 1973
Painters Painting - 1973
Notes on the Buffalo Conference: “Autobiography in American Independent Cinema” - 1968
Diaries, Notes, and SketchesSelf - 1966
GalaxieSelf - 1963
Hallelujah the HillsGideon
Crew (55)
- 1987HungersDirector
- 1984Skin MatrixDirector
- 1984Skin Matrix SDirector
- 1980The Lathe of HeavenSpecial Effects
- 1979SunstoneWriter
- 1979EclipseDirector
- 1978DubsDirector
- 1977Sur FacesDirector
- 1976New England Visions Past and FutureDirector
- 1976Self-TrioDirector
- 1975Inside EdgesDirector
- 1974Suite 212Camera Operator
- 1974Crossings and MeetingsDirector
- 1973ChrysalisSound
- 1973Pilobolus and JoanDirector
- 1973Positive Negative Electronic FacesDirector
- 1973IdentitiesDirector
- 1972Scape-MatesWriter
- 1972ThermogenesisDirector
- 1972Woe Oh Ho NoDirector
- 1972Computer Graphics #1Director
- 1971MillhouseCinematography
- 1971Film with Three DancersDirector
- 1971Choice Chance Woman DanceDirector
- 1970BranchesDirector
- 1970CarolEditor
- 1970ReportCinematography
- 1970ImagesDirector
- 1969Image, Flesh and VoiceDirector
- 1969Jr. Star TrekCinematography
- 1968Project ApolloDirector
- 1967Bob Dylan – Don't Look BackCamera Operator
- 1967FusionDirector
- 1966RelativityDirector
- 1966Oysters Are in SeasonDirector of Photography
- 1966Art Scene USADirector
- 1966In Three ZonesDirector
- 1965Film Magazine of the ArtsCinematography
- 1965George Dumpson's PlaceDirector
- 1965Faces of AmericaDirector
- 1964ScramblesDirector
- 1963TotemDirector of Photography
- 1963The ExistentialistCinematography
- 1963ThanatopsisDirector
- 1963Freedom MarchDirector
- 1962Time of the HeathenArt Direction
- 1962The Streets of GreenwoodCinematography
- 1962The American WayCamera Operator
- 1960LifelinesDirector
- 1959Dance ChromaticDirector
- 1959TransformationDirector
- 1958Paintings by Ed EmshwillerDirector
- 1958MonstersDirector
- 1958Big VacationDirector
- 1956The Thing from Back IssuesDirector
Galaxie
Diaries, Notes, and Sketches
Lost, Lost, Lost
Birth of a Nation
Family Focus
Painters Painting
Hallelujah the Hills
Home Movies 1971-81
Solstice and Solyanka
Notes on the Buffalo Conference: “Autobiography in American Independent Cinema”