
Paul Sharits
View on IMDb ↗Trained as a graphic artist and a painter, Paul Sharits became an avant-garde filmmaker noted for manipulating the film stock itself to create a variety of fascinating, abstract light and colorplays when projected on the screen. Fans hail the effects hallucinogenic, while his detractors find them garish. Sharits is also known for establishing experimental film groups at prominent universities, including one at the University of Indiana where he studied. He later taught and developed an undergraduate film program at Antioch College. Between 1973 and 1992, Sharits taught at the Center for Media Study at the State University of New York. His films can be seen in various U.S. and European museums, film centers, and libraries. Much of his work can be found in the Anthology Film Archives in New York City. ~ Sandra Brennan,
Known for
Filmography (10)
- 2015
Paul SharitsHimself - 2006
Funtime at the Vasulkas - 1997
Birth of a NationSelf - 1987
Rapture - 1985
Home Movies 1971-81 - 1981Cinématon XIIIN°120
- 1981
Cinématon n°120 : Paul Sharits - 1978
CinématonN°120 - 1977
On the Marriage Broker Joke as Cited by Sigmund Freud in Wit and Its Relation to the Unconscious, or Can the Avant-Garde Artist Be Wholed?Liveraccio - 1976
Paul Sharits Interview with Gerard O'Gradyhimself
Crew (40)
- 2010Fluxfilm Anthology 1962-1970Director
- 1986Figment I: Fluxglam Voyage in Search of the Real MaciunasDirector
- 1984Brancusi's Sculpture Garden at Tirgu JiuDirector
- 1982Bad BurnsDirector
- 19823rd DegreeDirector
- 1981Sketches in HawaiiDirector
- 1979Passare I (Italia)Director
- 1978Episodic GenerationDirector
- 1977Declarative ModeProducer
- 1976TailsDirector
- 1976Epileptic Seizure ComparisonDirector
- 1976Dream DisplacementDirector
- 1976Tirgu JiuDirector
- 1976Analytical Studies IV: Blank Color FramesDirector
- 1975Shutter InterfaceDirector
- 19753D MovieDirector
- 1975Apparent MotionDirector
- 1974Color Sound FramesDirector
- 1974Analytical Studies III - Color Frame PassagesDirector
- 1974Vertical ContiguityDirector
- 1974The Forgetting of Impressions and IntentionsDirector
- 1974SynchronousoundtracksDirector
- 1973Axiomatic GranularityDirector
- 1972Sound Strip/Film StripDirector
- 1971S:TREAM:S:S:ECTION:S:ECTION:S:S:ECTIONEDDirector
- 1971Inferential CurrentDirector
- 1971Analytical Studies I: The Film FrameDirector
- 1971Analytical Studies II: Unframed LinesDirector
- 1971Element Studies: Earth/Water/Sky/FireDirector
- 1969T,O,U,C,H,I,N,GDirector
- 1968Razor BladesDirector
- 1968N:O:T:H:I:N:GDirector
- 1966Ray Gun VirusDirector
- 1966Word MovieDirector
- 1966Piece Mandala/End WarDirector
- 1965Wrist TrickDirector
- 1965Sears Catalogue 1-3Director
- 1965Dots 1 & 2Director
- 1965Unrolling EventDirector
- 1962WintercourseDirector
Birth of a Nation
Paul Sharits
On the Marriage Broker Joke as Cited by Sigmund Freud in Wit and Its Relation to the Unconscious, or Can the Avant-Garde Artist Be Wholed?
Cinématon
Funtime at the Vasulkas
Rapture
Home Movies 1971-81
Cinématon n°120 : Paul Sharits
Paul Sharits Interview with Gerard O'Grady