
Stan VanDerBeek
View on IMDb ↗American experimental filmmaker Stan Vanderbeek began his career in the 1950’s after having studied art and architecture in New York and North Carolina. His earliest period (1955-1965) is marked by his animated painting and collage films which the artist and critic Daryl Chin regarded as having an “enormous vitality, bounding inventiveness and incendiary wit which was shared by such other collagists as Robert Breer, Bruce Conner, Dick Preston.” Films such as Science Friction (1959, 10’), Breathdeath (1963, 15’), A la Mode (1959, 7’) and Achoo Mr. Kerrooschev (1960, 2’) are from this period. In the 1960’s, in the context of his expanded cinema research, Vanderbeek started his audacious project of the “Movie Drome” theater, a space that allowed him to create an appropriate environment for his synesthetic works, which included film, performance and dance among other disciplines. The filmmaker spent about 10 years developing this project, which consisted of a huge dome that surrounded the audience and engulfed them in the images projected all around them. From the mid-1960’s, Vanderbeek ‘s appetite for exploring new technologies increased and tools such as video played a major part in the filmmaker’s work. This can be seen in his computer-animated films from this period such as Symmetricks (1972, 6’) and the Poemfield series of 8 computer generated animations (1966-1971). His work with computers and experiments with holograms reflected his desire to use the most complex technology to get as close as possible to the functioning of the human nervous system. In addition to his creative work in the fields of film and video art, Vanderbeek was a faculty member and artist-in-residence at a number of major universities. He died in 1984.
Known for
Filmography (6)
Crew (68)
- 1983Reeling in TV TimeDirector
- 1983Self-Poured TraitsDirector
- 1983Sonia and Stan Paint a Portrait of RonnieDirector
- 1983Micro Cosmos 1-4Director
- 1981After LaughterDirector
- 1981Face ConcertDirector
- 1980Euclidean IllusionsDirector
- 1980Mirrored ReasonDirector
- 1977Strobe OdeDirector
- 1977Vanishing Point LeftDirector
- 1977Color Fields LeftDirector
- 1972SymmetricksDirector
- 1972The Computer GenerationDirector
- 1972Who Ho Rays No. 1Director
- 1970MoirageDirector
- 1970VideospaceDirector
- 1968SuperimpositionDirector
- 1968Ad InfinitumDirector
- 1968Film Form No. 1Director
- 1968OhDirector
- 1968Poem Field No. 5: Free FallDirector
- 1967For Life, Against the WarDirector
- 1967FusesDirector of Photography
- 1967Image After ImageDirector
- 1967Man and His WorldDirector
- 1967Expo FacesDirector
- 1967Poem Field SeriesDirector
- 1967Poemfield No. 1 (Blue Version)Director
- 1967Panels for the Walls of the WorldDirector
- 1967Poem Field No. 3Director
- 1967Spherical Space No. 1Director
- 1967Poem Field No. 1Director
- 1967Poem Field No. 7Director
- 1966Poem Field No. 2Director
- 1966Collide: OscopeDirector
- 1966Vision IIIDirector
- 1966Movie-DromeDirector
- 1965PastoraleDirector
- 1965See Saw SeamsDirector
- 1965Movie-MoviesDirector
- 1965The Human Face Is a MonumentDirector
- 1965A Dam Rib BedDirector
- 1965FacescapesDirector
- 1965The Birth of the American FlagDirector
- 1964SiteDirector
- 1964Newsreel of Dreams 1 & 2Director
- 1964Phenomenon No. 1Director
- 1964FluidsDirector
- 1963BreathdeathEditor
- 1963SummitDirector
- 1962SkullduggeryDirector
- 1961Snapshots of the CityDirector
- 1960Achooo Mr. KerrooschevDirector
- 1960Black and White, Day and NightDirector
- 1960The Smiling WorkmanDirector
- 1959Astral ManDirector
- 1959Science FrictionDirector
- 1959A La ModeWriter
- 1959Street MeatDirector
- 1959Dance of the Looney SpoonsDirector
- 1959PittsburghCinematography
- 1958Wheeeels No. 1Director
- 1958Wheeeeels No. 2Director
- 1957What, Who, HowDirector
- 1957MankindaDirector
- —Poem Field No. 4Director
- —Poem Field No. 6Director
- —Poem Field No. 8Director
Free Radicals: A History of Experimental Film
Reality's Invisible
Visual Velocity: The Work of Stan VanDerBeek
Home Movies 1971-81
Notes on the Buffalo Conference: “Autobiography in American Independent Cinema”
Filmmakers